Chicago noise-pop trio Horsegirl make shoegaze indiepop music like Kevin Shields writing songs for Belle & Sebastian. Billy is a largely uncomplicated record with rolling drums, a fuzzy, repeating guitar chime and Penelope Lowenstein’s simple, lazy backing vocals. Yet Nora Cheng’s deliciously impassive vocals flip the track into a filmic dimension when she tells usContinue reading “Horsegirl – Billy”