Coach Party – What’s The Point In Life

Existential rumination is the order of the day on superb Isle of Wight indie pop-punks Coach Party’s latest release. Rather than dress up their existence-related observation in metaphor and allegory, the foursome come straight out asking ‘What’s the point in life’ and seem rather content to not have any answers.

Strong bass and ferocious drums make way for vocalist Jess Eastwood’s contentedly relaxed espousals (“I’ll do what I want, when I want, yeah I’ll do it, everything’s fine, I’ll get round to it”) to a playful melody and chirping guitar with a vivacious chorus that makes the potentially doom-laden portent of “We’re all gonna die. What’s the point in life, if we all die?” sound alarmingly life-affirming.

Coach Party’s debut album is due out on 8th September via Chess Club records. You can pre-order it on all of the snazzy LP bundles right now. ‘What’s The Point In Life’ is the fourth single to be taken from the album so far, along with ‘Born Leader’, ‘All I Wanna Do Is Hate’ and ‘Micro Aggression’.

You can check out the official music video for ‘What’s The Point In Life’ on the YouTube link below:

Time For Heroes Podcast feat. Edge of Arcady

The boss of Time For Heroes podcast, Martin Morel, welcomed me on to his illustrious platform for a far-reaching conversation, taking the opportunity to discuss becoming a teenage music fan in the 90s against the backdrop of Melody Maker fuelled post-britpop glam-indie, touching on Manic Street Preachers and Libertines fandom, diving into the London alt-music scene of the early 00s and a bit of chat about this here blog.

The fans at The Libertines Bethnal Green Albion Rooms gig, 2003 – squint and you’ll see this here writer’s bonce popping up at the very back

I also grasped the chance to answer the TFH standard question: Which four heroes would you invite to a dinner party and what would you cook them? Slight spoiler – I wouldn’t force Morrissey and riot grrl Kathleen Hanna to eat chicken and duck fat potatoes, they’d obviously have a nut roast and their spuds would be prepared in strictly fowl-free cooking oil. Another slight spoiler – the below pic.

Limmy & I – Glee Club, Cardiff, 2019

Time For Heroes has a cracking back catalogue of guests. If you’re eager to get a bit more early 2000s or contemporary indie music chat in your ears then check out Morel’s past episodes with: Jack Jones of Trampolene, Andrew Cushin, Dominic Masters of The Others, Lloyd Dobbs of The Paddingtons, ex-Babyshambles drummer Gemma Clarke, Alfie Jackson of The Holloways, Pete Jones/Welsh of Kill City, producer of The Strokes ‘Is This It’ Gordon Raphael, Cobain Jones and legendary music journos Mark Beaumont, Anthony Thornton and James ‘Jam’ McMahon.

Golf Sale Riots, Johnny Borrel, heyrichey – potentially 2004

Listen to the podcast on the Spotify link below or find it wherever you normally get your Podcast fix:

We referred to numerous bands throughout. Keen to have a listen? Find a handy, clickable list of painfully low quality Youtube videos and superb quality Spotify album links right here:

The Darkness – Get Your Hands Off My Woman (Motherfucker)
Easyworld – You & Me
JJ72 – October Swimmer
King Adora – Bionic
Queens of Noize – Indie Boys Don’t Deserve It
Kill City – Live at Notting Hill Arts Club (likely Death Disco) 2004
Razorlight – The at The Borderline, London, 2003
Thee Unstrung – Psycho
The Paddingtons – Panic Attack
Chineapples – East Of My Heart
Mardous – Revolution Over The Phone
Larrikin Love – Happy As Annie

The Others – Look At You All Now
Special Needs – Funfairs & Heartbreak

If you’re lucky, there may be more joint Edge of Arcady blog and Time For Heroes podcast content in the near future as Martin exercises his review writing smarts and heyrichey has a go at striking out into the Podcast host universe. Keep your eyes peeled for more.

Gemma Rogers – New World Order

Dub-flecked lullabies don’t come much more political than this. London’s Gemma Rogers has serious concerns about the road this country of ours is being steered down and on ‘New World Order’ she has a go at casually sussing out who’s really calling the shots, name checking “faceless clowns – you leave us choiceless” and feeling for the “voiceless people screaming out”.

With the gritty subjects at hand, some singers would be utterly ranting, but Rogers puts her sharp observational enquiry across in measured, nonchalant tones over a spacey, ska-gilded, child-like upbeat pop flow. She’s not letting anyone get away scot-free though, prodding the whole gamut of current day injustice – lockdown, over-medicating, inequality and quite correctly asking “surely all school dinners should be free”.

Gemma Rogers has spent her summer opening for Paolo Nutini in Brighton’s Stanmer Park as well as playing 5 sets at Glastonbury, including Strummerville, and has the Secret Garden Party lined up along with a show at London’s Lexington on 4th August – get your tickets.

‘New World Order’ has a video due at 5:30pm on 21st July over on YouTube, generated by our soon-to-be AI overlords, but you can hear the song right now on all of the streaming sites everywhere. We’ve got the Spotify link below for you:

Loviet – What I Wouldn’t Give

You know those tunes so big that they get lodged in your subconscious and for days, maybe even weeks, they’re the background music in your head when everything else is quiet? An earworm, if you like. Well the chorus to ‘What I Wouldn’t Give’ by Canadian singer songwriter Loviet has gone and done that for this reviewer.

Photo Credit: Loviet’s instagram

With a thunderingly persistent, repeating bassline, restless and anecdotal lyrics – “I’m miserable baby, can’t you tell? I’ve searched all over this whole world, just to lay beside you in this hotel”, and a positively soaring, emotional chorus, Loviet harnesses a chilled out vibe of a melody that The 1975 would boast amongst their finest if they’d come up with it first, and gives it the ‘90s power ballad Natalie Imbruglia treatment, or like a more glacial Alanis Morrissette – yes, we chose another Canadian artist on purpose for that comparison.

Photo Credit: Barbra Color

We’ve only just got over her recent EP ‘The Nighttime Is All In The Timing’, so we’re more than elated that Loviet’s next release is such an outright anthem. ‘What I Wouldn’t Give’ was released on 7th July 2023 and you can listen to it on the YouTube link below:

Masquerader – Nothing Will Change EP

Photo Credit: press shot

Spending a couple years putting in the blood, sweat and graft, building both their reputation and skills on the Reading gig scene has put math-punk raveheads Masquerader in amazing stead for the release of debut EP ‘Nothing Will Change’. Encompassing elements of hardcore, rap and a plethora of electronics to tell a story of urban commuter belt decay, it’s evident the DIY trio are fans of myriad, far-reaching genres and possess the skill needed to stitch a bunch of them together to create some heavy aural magic.

Photo Credit: press shot

Lead track and the group’s first single ‘i.am.masquerader’ hurtles it’s way through whiplash inducing drums, screeching feedback and fast paced vocals that would address feelings of imposter syndrome, if they could be deciphered. ‘Pressure (Holy Trinity Cut)’ sees their electro proclivity given full freedom to cause whatever mischief it may, and what it comes up with is a roaring rave-metal masterpiece. ‘Paper Thin’ is a sparse exploration of fragile, toxic masculinity told through rap, quickening severe synths and aggressive sampling, ‘Heirloom’ acting as both a 2 minute outro and a reflective intro to the EP’s final hurrah.

Photo Credit: press shot

‘Mellify’, meaning to be embalmed in honey, is the cherry on top, with echoes of Deftones, Death Grips or a more bellicose Beastie Boys, considering the plague of gentrification and being mummified in the tomb of the commuter train.

Photo Credit: press shot

But before the blood-flecked party ends, there’s a parting treat of three absolutely storming remixes, revealing Masquerader’s music to be not only some thrilling listening in and of itself, but the perfect foundation for some stunning dance-tunage. The Caleb Paice remix of ‘Pressure’ is a bass-charged, acid-house techno monster, Chameleon gives ‘Paper Thin’ a drum’n’bass makeover and Silent Weapon violently fuck with ‘Mellify’ by turning the already full-blast levels up an ear-destroying few more notches with deliciously extra-noisy results.

‘Nothing Will Change’ was released by Masquerader on 14th July 2023 and you really should go about listening to it right now on your chosen streaming platform. We’ve bunged the Spotify link below so you can get on it immediately, if you so choose:

Pigeon Wigs – Rock By Numbers

If you’re stumbling around the place looking for some jumbo, godzilla-sized, magniloquent tunes, then may we point you in the direction of Pigeon Wigs debut mini-album ‘Rock By Numbers’, you lucky, lucky thing? After delivering a string of psychedelic blues rock monoliths with singles ‘Near The Knuckle’, ‘Death Of A King’, ‘Hold Up!’ and ‘Radiation Blues’, the Cardiff retro-hellions have plunged deep to the depths of their 60s soused souls and come up for air with a collection of dynamite bangers that boldly boast their influences.

Photo Credit: Elijah Lewis Thomas

Written and recorded before songwriting partnership Harry Franklin-Williams and Louis Jugessur had even got their five-piece mob onto the Welsh Club stage yet, the riffs are potent, the melodies are resplendent and the Stones, Lennon and Hendrix wails are fully intact. Nothing at all about this sounds like a group in their infancy.

Photo Credit: Elijah Lewis Thomas

Although the contents of the record’s Side A mostly feel like old pals by now, aside from flamboyantly loping newbie ‘Heavy Low’, the second half boasts a force with a hefty repository of ideas ready to ransack, whether it’s Americana-infused ‘War Torn Warriors’, the Beatles pageantry of ‘Come Of Age’, the ecstatically outrageous drum rolls and bombast of ‘Going Nowhere’ or the unexpectedly vulnerable closers – violin mottled ‘You Play Me’ and gentle piano-led croon ‘Epilogue 6’.

Photo Credit: Elijah Lewis Thomas

As the micro-LP’s title explicitly announces, this may be ‘Rock By Numbers’, but when those numbers add up to some insanely addictive, psych-pop anthems, we’re all in for a multitude of incendiary treats.

You can find ‘Rock By Numbers’ on all the streaming platforms right now, released via Clwb Music. Give it a listen this very second, if you like, using the extremely convenient Spotify link below:

MACY – Shoulders Back

Bubblegum-pop starlets don’t come any more fizzy and energetic than MACY and her new single ‘Shoulders Back’ is every bit as sparkling as any of her releases to date. Like contemporaries Charli XCX, Dua Lipa and Little Mix, the Abertillery performer takes shamelessly overt melodies and couples them up with razor sharp, glistening EDM production alongside a hefty hint of sass.

Photo Credit: Callum O’Keefe

In confessional mode, confidence is the honey-voiced singer’s focus on her latest track as she candidly questions what made her buy a Kylie Jenner-approved blue dress when she doesn’t even like the colour and the deception of the perfect instagram highlight reel, bolstered by her mother’s assertive advice to “put your shoulders back, start walking like you mean it”. And it’s all superbly topped off with an absolutely killer key-change right at the very end.

Photo Credit: Callum O’Keefe

MACY has been setting the pop music world on fire lately, with appearances at Cardiff’s Principality Stadium, the BAFTA Cymru Awards, making her debut on BBC Radio 1 and performing at London’s O2, Islington.

‘Shoulders Back’ is the first track from MACY’s forthcoming EP. You can have a listen on the Spotify link below, or on whichever streaming service you’re into:

Papa Jupe’s T.C. – Wetmarket EP

Who is Papa Jupe? And what is his T.C? We’re still not certain but after hearing the ‘Wetmarket EP’ we think we could be persuaded to give up all our worldly possessions and prostrate ourselves in front of a graven image of him or some shit. Because five lads from Cardiff, who we guess are his T.C., have had a deeply affecting encounter with him and deigned to bless us with the fruits of what they learned.

Photo Credit: Jess May

The first fruits of which is a lively track about ‘R. Kelly’, the golden arches (aka McDonalds) and UTIs. A hammond organ intro calling to Jupe himself leads the way to the one song explicitly dealing with this questionable deity, ‘Touched By God’, through the medium of surf guitars, a rock’n’roll rhythm and exuberant vocals.

In case you were thinking things were getting a little too conventional, ‘Spank!’ splices together C86 with baggy to fantasize about taking Rupert Murdoch hostage and making him endure a saucy beating, before the sad trumpet infested rousing comedown of ‘W.U.A’ – weak, useless and afraid. The age of Papa Jupe’s T.C. approacheth – we’ve been reliably informed he’ll strike your heathen heart down if you don’t get yourself down to a gig of theirs as an act of worthy sacrifice.

‘Wetmarket’ EP was released on 28th June 2023. We previously wrote about the other EP track ‘Other Men’ and you can listen to the whole record over on Spotify or wherever you get your musical goodness right now. We’ve put a Spotify link just for you below:

Blur – St. Charles Square

Britpop’s perennially cheeky cockney chappies are on the comeback road and the second single of their renaissance – ‘St Charles Square’ is a sprightly distillation of the many varied elements that made Blur outstanding in the first place. Which elements in particular are they, you ask, for clarification purposes? Firstly, Damon Albarn’s in peak English realist observational philosopher mode, discussing a “basement flat with window bars”, “every generation has its gilded posers”, something running “up and down the clock of the town hall” and the edgingly paranoid sense of something disturbing residing underneath the floorboards.

Graham Coxon has been let loose with the chugging grunge guitar of their eponymous fifth album, complete with some gleefully anarchic solos, the record’s pace stopping short of the ferocity of stand-alone early single ‘Popscene’ but nestling agreeably in the realm of their tunefully raw ‘Modern Life Is Rubbish’ mode.

After trading in the insular experimentalism of ‘Think Tank’ by sussing out what switched on half the nation, nay world, in the 1990s during their last record ‘The Magic Whip’, with Albarn able to work through his more exotic musical whims under the Gorillaz guise, the group’s latest incarnation seems set on getting another truly great typically Blur record out into the world and, chucking sagely reflective recent single ‘The Narcissist’ into the mix too for further evidence, it seems as if they’re about to succeed.

One final point – we wouldn’t imagine the estate agents of London’s Kensington will be too keen to use the song as a glamorous ad for the area, mind – unless there’s a special market for claustrophobically neurotic britpop loving basement dwellers. Great record though.

Blur’s new album ‘The Ballad Of Darren’ is due out soon on 21st July 2023. You can pre-order it now. The track listing will be as such:

1 – The Ballad
2 – St. Charles Square
3 – Barbaric
4 – Russian Strings
5 – The Everglades (For Leonard)
6 – The Narcissist
7 – Goodbye Alert
8 – Far Away Island
9 – Avalon
10 – The Heights

‘St Charles Square’ was released on 29th June 2023. You can watch the single‘s live video, compiled from footage of their recent stint of warm-up gigs that saw Blur debut the song across the country in prep for their Wembley Stadium extravaganzas, below:

Nicky Wire – Keeper of the Flame

As a rule of thumb, in most bands the frontman is the powerhouse, the largest personality, the loudest mouth. But for Wales’ absolute greatest, Manic Street Preachers, that’s simply not the case, with singer and guitarist James Dean Bradfield being the first to admit his charisma weighs in at only a fraction of his lyricist, bassist and lifelong pal Nicky Wires’.

It may be surprising then, that the glitter-daubed, brash, outspoken, beating heart of the Manics has opted to sneak out his second deck of solo material single-handedly, with minimal fanfare through bandcamp, eschewing a standard high profile release schedule for the drip-feed of a new track whenever he gets time to upload one to his website from his home in Newport.

Photo pilfered from: Manics Instagram

‘Keeper of the Flame’ is the second of these missives from Wire’s forthcoming solo record, ‘Intimism’. Followers of the Welsh contrarians may reasonably expect a solo project from the group’s glam-punkish pacesetter to consist of spiky, three-chord diatribes shot through with revolutionary literary and political references galore. Ever one to buck presumption, ‘Keeper of the Flame’ is very much not that.

In fact, the most jagged sound on the song is Wire’s wonderfully jagged vocals over what could otherwise sound like a charmingly polished yet lo-fi rock tune, complimented by JDB’s unmistakable backing croon. A nicely polished rock tune, that is, until a boisterous power-chorus rocks up, finally descending into the spectacle of two sparky guitar lines trying to decimate each other.

Photo pilfered from: Manics instagram

Whilst declaring himself the ‘Keeper of the Flame’, Wire uses his leftfield sonic accompaniment to consider both his role as one of the final bastions of the rock’n’roll rebel spirit light that never goes out, as well as the nurturer of his own creative embers and the misanthropic gust that gets them roaring: “Radio on, typewriter clicking/Everything is ok, no one is listening/I’m not a socialist anymore/The SOCIAL bit leaves me cold”.

Photo pilfered from: Manics instagram

Word has it we’re to expect more solid but fragile anthems side-by-side with a sprinkling of psychedelic jazz fusion on the rest of the album. We’ll be feverishly refreshing bandcamp from now until the day The Wire works out how to upload it all.

‘Keeper of the Flame’ by Nicky Wire is only available to hear through bandcamp, so we’ve included the link below: