Elis. – Bite Your Tongue

There’s something deeply empowering about harnessing the spooky, mean strength of the dark side when your world’s wonky. On ‘Bite Your Tongue’, Wrexham solo creator Elis. does just that, performing his debut single from inside demonic shoes and taking on all the confidence and sexiness that comes with them.

With a meaty bassline from the Seven Nation Army school of basslines and a lazy, stoned beat from Billie Eilish’s songbook, like a cool, steady-handed and evil assassin Elis.’s alter-ego spells out exactly what will become of anyone who’d fuck with him, through disinterested vocals and a sleazy rhythm seducing the unsuspecting to “bite me I’m citrus flavoured/ kiss me now, it’ll kill you later”.

Elis.’s debut single ‘Bite Your Tongue’ was released on 7th April, so you can find it on all streaming platforms now. We’ve included the Spotify link for you below:

Grace Calver – my life and its disasters EP

When a record is called ‘my life and its disasters’, you should have a fair hunch its content isn’t going to be all blissful and shiny tales of love’s young dream. Give Grace Calver’s debut EP a listen and you’ll find your hunch proven true, with the East Anglian singer-songwriter’s first collection candidly confessing the quirks and pitfalls of her dating attempts over some top-quality bubblegum pop.

We’re already familiar with several of the songs here – past releases ‘Zombie Conversations’ “a charming slack-pop dedication to wasted time on time wasters”, ‘Bored Of U’“dreamy pure pop, delicious honesty and purposefully cheesy harmonies” and ‘Addicted’“cutesy melody and indie rock finesse” receiving fair rotation through Edge of Arcady’s earphones over the past 12 months, a sparkling grouping of supremely crafted indie-pop gems, gilding a knowing, pure pop sweetness with a britpop-py edge.

New track ‘Read Your Mind’ is another straight up awkward jewel of a track, seeing Grace remain on over-analysing form as she admits, over a guitar and drum melody, wishing she could get inside her date’s head and, after spotting a bunch of messages on her fella’s phone, poses the exasperated question “Why’s it so hard for guys to just block their ex?”

It’s final song ‘For Dead’ that surprises us, casting off with a heavy riff, the type of which we haven’t come to expect from the multi-instrumentalist so far, and dark lyrics that see the humour slip as the singer throws her hands up about a toxic love that even she’s not able to make light of.

Funnily enough then, for an artist who uses her life’s gawkish disasters as a well of inspiration, we reckon this EP is only going to turn out to be a success.

Grace Calver’s debut EP ‘my life and its disasters’ was released on 14th April 2023 and is available to listen to on all streaming platforms as we speak. You can also buy a real life physical CD copy of the EP over on bandcamp.

You can hear the EP on Spotify below now:

The Albion Rooms, Margate

Just over two years have passed since London indie legends The Libertines ventured into the hospitality trade with the opening of The Albion Rooms on Margate seafront. For a garage punk band to become hoteliers is not the most obvious creative foray, but in this instance, for The Libertines with their record artwork full of old-world trinkets, song lyrics bursting with decadence and their Wildean opium den chic, it all made sense.

Since opening day, Edge of Arcady have admiringly watched the reams of social media pics with punters and bands stood on the increasingly iconic black and gold staircase leading up to the venue’s front door, and last week we finally had the opportunity to make our way from our South Wales home to ascend the steps ourselves and spend a few days away in this opulent rock’n’roll bolthole by the sea.

Entering The Albion Rooms is like walking into a luxuriously gothic Libertines art gallery. The reception hall’s black walls are adorned with collages, sketches and handwritten lyrics from Carl Barat and Peter Doherty as red chandeliers hang from the ceiling, all delicious walnut coloured wooden floorboards and a deep red carpet leading upstairs.

When we arrived at 2pm we were told our room wasn’t ready but were invited to head down to The Wasteland, the basement bar, site of many a hedonistic gig already, for refreshments or to peruse the town while the room was being prepared. We opted for a pint, made our way downstairs and straight out the backdoor with a Beavertown Brewery Neck Oil IPA, to the suntrap beer garden complimented by a ginormous mural of the boys in the band, replete with red coldstream guards tunics. We shared the beer garden with another couple who had arrived moments before us and a table of eight people with two dogs, overhearing hotel staff gleefully advise the group Pete Doherty’s own dogs drank from their dogs water bowl only weeks ago. Very relaxed proceedings for a Good Friday bank holiday afternoon.

After consuming a couple of pints, at 4pm we were informed our room was ready. A point that must be made early on – the staff at the Albion Rooms really help make the place. Hotel and bar staff alike, they seem to genuinely enjoy being there and remained utterly kind, helpful and accommodating throughout the stay, from personally showing us around our hotel room, to providing all important oat milk refills on request.

Climbing the stairway we passed more Libertines artwork, alongside David Bowie and Sex Pistols prints as well as an oversized neon-pink cross, another feature of many instagram posts over the past twenty-four months. Our room, two stories up, was The Mowsle Barton. A fascinating feature of The Albion Rooms is the 7 room names – The Lombard, The Rowntree, The Mowsle Barton, The Delaney, William Blake, Emily Dickinson and The Loft, inspired by band members nicknames, song titles and their favourite poets. The Mowsle Barton is potentially the most obscure – named after an H.H. Munro short story (The Peace Of Mowsle Barton) about Edwardian village witchcraft, deceit and one individual’s misguided attempt at swapping bustling city life for rural quietude.

Like much of the hotel, our room is painted a striking black with gold trim. The thick black curtains with gold tassel follows suit, wooden floorboards remaining a rich polished walnut. The main focal point of The Mowsle Barton is a feature wall of sumptuous Anna Hayman animal print, along with an original Peter Doherty canvas and ‘Fuck War’ artwork – all brightly coloured snarling soldiers and flowers. The bed is outrageously comfortable, strewn with two gold cushions and naked lightbulb lamps either side on bedside tables. An ornate lamp stands on a desk by the door backed by a large decoratively framed mirror, gold painted chair below. If no novels or poems have been written in this room yet, we feel it’s only a matter of time. All of the rooms have been created with the guiding aesthetic of The Libertines and interior decorator Rhiannon Sussex.

You’ll find no stash of Douwe Egberts instant coffee sachets here. Complimentary to each room is a jar of freshly ground coffee with a french press, Yorkshire Tea bags, kettle and bone china cups. We also found some quality snacks in the welcome basket and with a fridge stocked with coca cola, tasty beers, cans of water and a small sized bottle of milk. We’ve already used the words luxurious and sumptuous in this feature and it’s additions like this that make it so. Not to mention the courtesy robes and slippers, black-out sleep eye masks, Beats bluetooth speaker and the Malin + Goetz shower products found in the compact but comfortable bathroom – with rainfall shower and traditional porcelain taps and sink.

With a professional recording studio situated on the ground floor and a top notch gig-hosting drinkery in the basement, it’s fair to wonder what kind of stay The Albion Rooms has in store – a serene, relaxed weekend at the seaside or a raucous, debauched knees-up of a break? Truth is, you could manage either. Throughout our stay indie-folkers Albion were recording an EP in the studio, regularly witnessed supping beers in the back yard, and Indie Amnesty hosted a club night. Recently The Gulps and Shed Seven have put on shows and The Libertines themselves were spotted shoring up recordings for album number four, but we chose to spend most of our evenings in our room playing Bananagrams and eating takeaway in the lap of luxury, undisturbed by downstairs’ events.

When we did make our way to The Wasteland for a night we were welcomed into a bar packed with music fans eagerly awaiting Max Bianco and The Blue Hearts. The venue is festooned with regalia – fairy lights, a mannequin wearing a trademark Libs tunic and Tommy helmet sits side of stage, gas masks, taxidermy pets on shelves and a wasteland mural of an apocalyptic Margate, the band marching off into the distance. There’s a healthy variety of IPAs and lagers on tap, cocktails and spirits aplenty. Max Bianco began his set with a solo show, then joined by the rest of his band for a set landing somewhere brilliantly between David Gray and The Rolling Stones. Conveniently, it was only a drunken stumble up four brief flights of stairs until we found ourselves back in the cosiness of our palatial duvet.

After a Saturday night in The Wasteland came a Sunday morning in the Arcady Lounge, a charming restaurant decorated with vases and bottles of dried flowers, crucifixes, typewriter, feathered lampshades and rustic furnishing, including a lavish leather egg shaped armchair, with a panoramic window view of Margate seafront toward the English Channel, interrupted only by the Oval Bandstand across the street. Breakfasts are included in the price of your hotel room and include hot drinks and juice, a cup of granola and yoghurt and a choice of fry up, breakfast muffins, avocado on toast and eggs benedict – vegetarian and vegan options all catered for. We demolished a delicious breakfast muffin and coffee each and every day.

The Albion Rooms is situated in the locale of Cliftonville. Anyone wondering where traditional Camden Town has gone over the past decade, we reckon they picked it up and dropped it in this spot on the south east coast. Its main street, Northdown Road, features an abundance of vintage clothes and antiques shops. A small walk into Margate’s Old Town gives you more vintage stores, craft markets, fish and chip takeaways and coffee shops, next to tourist attractions like the fascinating and potentially ancient Shell Grotto, Margate Caves, the Tudor House, Turner Contemporary gallery, not forgetting Dreamland theme park – now a Sky TV series, and the stretches of popular sandy beach. The White Cliffs of Dover and Canterbury Cathedral are a short drive away, and if you fancy a Libertines pilgrimage, the Tap ‘n’ Tin in Chatham, site of their now infamous ‘freedom gig’ reunion in 2003, is an hours drive up the road.

Sometimes after a short break away you find a part of yourself aching to get back to the familiar comfort of your own bed and sofa but we can hand on heart, honestly say that after four days in The Albion Rooms we truly did not want to leave.

Have we whetted your appetite and made you eager for a getaway to Margate? Make your way over to The Albion Rooms site to check out room availability https://thealbionrooms.live

Also, Carl Barat and partner Edie Langley have just this weekend opened Justine’s nightclub at Marine Gardens, Margate – described by Barat in an interview with The Isle of Thanet News as hosting an inclusive programme of events, “not just Libertines and indie but working with local curators so there will be all sorts of different nights coming up”. The opening night sounds like it was a blast – a certain addition to the itinerary for all Arcadian excursionists.

Vona Vella – Thought We Were Falling In Love

There is an occasional strata of bands out there with a startling ability to make fiercely upbeat, lively tunes, but when you dig just a scratch beneath the surface the subject matter is actually pretty rough. Vona Vella are one such band, on the days when they’re not making sun-drenched, out and out surf-chill classics.

‘Thought We Were Falling In Love’ is, on the face of it, breezy, light and jubilant, but within the fast air of effects pedals and Izzy Davis and Dan Cunningham’s rare coupling of accomplished voices lies the pained story of a lopsided love affair. The duo’s strongest single yet hears the pair candidly navigating their way through conflict while still managing to successfully fulfil the brief of an undeniably catchy, charming pop record.

A more than gratifying hint of the new tracks Vona Vella have ready in store over the next few months.

‘Thought We Were Falling In Love’ is Vona Vella’s first single from their debut album, after the marvellous ‘Go Outside Forever’ EP (which was released online in 2022 and now available on vinyl). You can find the video for the new single below:

Tom Emlyn – Like A Cigarette

An elegant, pensive song written while busking outside a Frankfurt cafe, Swansea singer/poet/songwriter Tom Emlyn’s latest sparkler of a single is ‘Like A Cigarette’, an unimposing, mostly acoustic critique of the disposability of human interactions, like burned out smokes flicked to the floor. Quite a recurrent sight in the German city, no doubt.

Accompanying the first of three singles Emlyn plans to release throughout March and April is an atmospheric black and white video portraying the singer wandering the streets, lost in thought, like a WWII spy before setting his fedora on a banister rail and delivering a stream of coded messages into a candlestick telephone. That’s our interpretation anyway.

‘Like A Cigarette’ is out in the big wide world and available for you to enjoy on the streaming services and YouTube right now. The other two singles will be coming our merry way shortly, along with Emlyn’s forthcoming LP ‘Return Journey Revisited: Scaredycat Vol 1’, but first you can see the video for ‘Like A Cigarette’ below:

Buzzard Buzzard Buzzard – Chew

Gone is the long hair, 70s folk rock vibes and rainbow jumpers. With new single ‘Chew’, the leaders of the Cardiff musical landscape, Buzzard Buzzard Buzzard, have experienced a dark rebirth, shorn their locks, purged the depths of hell itself and summonsed the blood-lust essence of metal. What better way to launch this new golden dawn than in a hymn to the hounds of hades?

Actually, that’s not quite true. Lead singer Tom Rees has had an extreme hair cut and they have traded the Grateful Dead feyness for Black Sabbath terror but rather than a paean to the fearsome 3-headed beast of hell, ‘Chew’ is a tribute to a few evening laps around Romilly Park with Rees’s pet dog Norma. Doubtless the guitars are more fuzzed up than they were on the Buzzards’ debut, the drums are more hypnotic and everything feels more intense, but existing fans of the band will be pleased to know the chorus still contains their trademark harmonies and the ominous bones getting chewed are probably Bonios, covered in good-boy slobber.

If you wanna hear ‘Chew’ you can check out the video to the song below, featuring bloodcurdling footage of Norma bounding across the park’s lawn, red eyes glaring, tail wagging, waiting forebodingly for pats and strokes:

Anker Soundcore Liberty 3 Pro Review

NB: There’s a £20 discount code at the end of this feature!
Thanks Soundcore by Anker for gifting this item to us.

What good is excellent new music without an excellent piece of kit to listen to it on? Fair question, right? We thought so. That’s why we’re changing tact for a moment and bringing you a review of Soundcore by Anker’s Liberty 3 Pro earbuds, a quality piece of hardware to absorb some high quality audio.

Let’s start with the presentation:

The Liberty 3 Pro earbuds look iconic. First off, the pebble case design is striking and it fits neatly in the palm of your hand. There are four choices of colour – white, black, blue-grey and light purple. We chose light purple, potentially brash but the light tone keeps it understated. The top of the pebble case slides satisfyingly back to reveal the smooth, deftly designed earbuds inside. When positioned on the contact points correctly, LEDs beneath the earpieces slowly pulsate to indicate they’re charging, along with three glowing LEDs on the front of the case, showing the power remaining.

Also included in the expertly presented box are four choices of ear tips and four choices of ear wings, designed to give maximum comfort and minimum sound leakage, a USB to USB-C power cable and a quick and clear visual guide to finding the perfect earbud fit.

A beautiful, well presented piece of technology all round.

Now for the sound:

For mid-range quality, the Liberty 3 Pro earbuds sound mightily impressive, delivering a rich, warm, vibrant audio experience. Soundcore by Anker have equipped their product with LDAC codec audio technology to deliver high-resolution audio over a bluetooth connection alongside heavy duty Noise Cancellation boosted by their HearID ANC feature – a built in hearing test on the Soundcore app, to ensure your audio stream is masterfully tailored to your own individual hearing. The Liberty 3 Pro also boasts a very helpful Transparency Mode, easily activated by a long press on your right bud (essential when you want to keep listening to Trampolene at the same time as trying to speak with train station staff when your morning commute rail ticket won’t work – we’ve been there).

In order to have full command over these features, you will need to download the Soundcore app onto your mobile device, but in doing so you’ll also be able to switch on and off Wind Noise Reduction, Wearing Detection – your audio gets put on pause when the device is taken out from your ears, a Fit Test to ensure you’re using the best ear tips, and ear wings for maximum audio quality and noise cancellation as well as being able to adjust the tap and hold controls. The app itself is simple to navigate and an integral piece of the Liberty 3 Pro experience.

Cool tip: if you switch off the LDAC mode you can connect your earbuds to two devices at the same time.

Road Test:

To fully test out this nifty bit of audio tech we gave it a road trip during the commute to and from work on a bustling, elbow to shoulder train from Penarth to Newport. We found that the seepage through of surrounding background noise next to non-existent, with only the quiet low rumble of cars on the main road walk to the station and the faint sound of the tannoy announcing the next train station forcing their way through, not even the rushing sound of the train itself getting in. We also thought, when we stopped at Greggs to order a coffee, that when popping transparency mode on, the surroundings come whooshing back in and it sounds like you’re hearing the world through a very vivid and clear telephone receiver, just right for when you need to interact.

We put Grimes ‘IDORU’ on walking down Commercial Road in Newport, the track’s birdsong, Claire Boucher’s coos and the deep bass all sounding pristine and clear. On the way home we stuck on Oasis’s ‘Morning Glory’ – guitar riffs, drum pound, Liam’s growl and helicopter whirrs all standing out, sounding crisp and strong.

Charging:

The blurb on the box claims the earbuds have a playtime of up to 8 hours and 32 hours with the charging case. We’re yet to find this out, preferring to keep the audio equipment fully juiced. However, on one occasion we didn’t quite position the buds in the case properly and only one charged which bummed us out a little. But slipping them back in the case for five minutes provides enough energy for at least another hour, before the next full-charge opportunity (we found that bit out ourselves). The charging connectors feel magnetic, so the earbuds slip onto them easily but do make sure the charging light is pulsing on both ear tips before closing the case to signal a full charge is underway. It sometimes takes a little wriggling to get it going.

Overall, the Soundcore by Anker Liberty 3 Pro earbuds are a solid, exciting piece of mid-range listening technology from a reliable and innovative brand.

If you want to bless your musical experience with this gorgeous piece of kit, you can buy the Liberty 3 Pro earbuds over on Soundcore by Anker’s website.

Enter EdgeofArcady2023 at checkout for an exclusive £20-off voucher.

Man/Woman/Chainsaw – Back/Burden

Pic Credit: Sebastian Garraway

The best, elite, crème de la crème of alternative music is short. It comes up along, packs an almighty punch right in the middle of your psyche, and scoots off again into the night, leaving the innocent listener bewildered in a daze of masochistic, painful joy. Want an example? Stick Man/Woman/Chainsaw‘s new one – ‘Back/Burden’ on and experience the phenomena yourself.

Big Richard records’ latest offering is a two minute ten second firecracker about, well basically drunken fucking, singer Vera (erm, we don’t know her second name) leading the London seven-some with growls and sordid commentary through a speedy, stop-start, post-punk onslaught of the old-school Richard Hell and Crass kind. The sexiest music to feature forward slashes in the title since Justin Timberlake’s ‘FutureSex/LoveSounds’ – and that’s a fact.

Pic Credit: Sebastian Garraway

We’re pretty big fans of Big Richard records over here at Edge of Arcady (see previous releases from Kipper Gillespie and As Loud As A Mouse) so you should probably google them and check out the rest of their roster.

‘Back/Burden’ was released on 15th March 2023, available all over the streaming services. We’ve bunged the Spotify link for you below, but Deezer, Apple Music or Tidal away if you want, we’re not fussy:

Phoenix feat. Clairo – After Midnight

The mighty Phoenix. Masters of effortlessly knowing their way around the crafting of outstanding, loveable indie pop tunes and always, always there, toiling away reliably, brilliantly, in the background. We do love Phoenix so very, very much. And so, it would seem, do some of the biggest and best names in indie rock. Very recently, on latest album ‘Alpha Zulu’, single ‘Tonight’ featured a guest spot from Ezra Koenig of Vampire Weekend and now, before putting the LP to rest, indie prodigy Clairo has jumped on one of the record’s highlights ‘After Midnight’, with laudable results.

Acting as a duet between the french masters’s frontman Thomas Mars and the Atlanta, Georgia, songstress, the structure of the track remains essentially the same as last year’s original version, the synths remain as sprightly, the melody stays as playful, the lyrics make some allusion to the night time but ultimately seem to be about a brilliant nothing, but Clairo’s new vocals are addition enough to elevate the song up from ‘Alpha Zulu’s magnificent mass and get it some well deserved attention and airtime of it’s own.

‘Alpha Zulu’, the seventh studio album from Phoenix, was released at the end of last year on 4th November 2022. ‘After Midnight’, however, was released just a few days ago on 16th March 2023. You can hear it on all of the streaming services wherever you normally listen to music or, while you’re here, you can have a watch of the lyric video on YouTube below:

The Mighty Cymru Playlist

From Penarth to Anglesey, Pembrokeshire to Newport, the welsh music scene is positively bouncing and more exciting than it’s been in a loooooong, long time right now. So we went ahead and picked our favourite current tunes from all over this lovely nation and put them into one mega playlist for you to fill some merry moments and feel a surge of that national pride glow.

Featuring Buzzard Buzzard Buzzard, Trampolene, Boy Azooga, CVC, Panic Shack, Adwaith, Broken Fires, Red Telephone, Alice Low, Minas, Fate Of The Sun, James And The Cold Gun, Himalayas and tonnes more.

Wanna have a listen? The Spotify playlist is right there below. Have the time of your life.